We are and have been in the midst of war for the past several years, and it appears as though there is no end in sight to the current war in Afghanistan. Both wars that we have been involved in in recent years were completely unnecessary and unjustifiable, and both have left nothing but ruin and sorrow.
I read fiction book reviews for my job as a Librarian, and in the past several years, I have noticed a preponderance of books that are about war, but none that really seem to embrace an anti-war sentiment. I feel that such literature has been sorely lacking in recent years, and it is ironic that it is lacking considering that we are currently involved in the longest war in United States history.
My novel does embrace an anti-war sentiment in that it is about peace, and specifically about how to make peace. I have always felt very passionate about this subject. The plot of the book involves a young woman who attempts to bring peace to her constantly feuding family, and in accomplishing this feat, there are several life lessons that she learns. While the story takes place within the confines of one particular family, the lessons that are learned about peace-making can be applied to all people within all families within all countries. In addition to the universal applicability of the lessons in this book is my strong conviction that peace begins at home, and really, it begins within the soul of each individual person.
Although I have not seen many other recently published books that embrace this theme, I have heard some good music. Check out the link below for Grammy winning album from my favorite musician, Neil Young!
http://www.neilyoung.com/lwwtoday/
Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts
Monday, October 8, 2012
More Books About Peace, Not War
Labels:
Afghani war,
Anti-war,
Fiction,
Neil Young,
novels,
Peace,
War,
writing
Monday, September 10, 2012
Humor in Serious Fiction
All of my favorite writers have one thing in common: Their use of humor. Flannery O'Connor's use of black humor adds greatly to adds to the characterization and the setting in her stories. Another one of my writers is Nathanael West also employs a similar sort of dark and demented humor in his stories. Most people would agree with me that the John Kennedy Toole novel A Confederacy of Dunces is a work of comic genius. I also admire the dry and witty humor of the science fiction writer, Douglas Adams. Although the humor in the works of these latter two writers is much more accessible and apparent than the former, they all have made me, at one time or another, laugh out loud. And I have learned greatly from all of these writers in how to employ humor in fiction.
When I began writing my novel, I did not intend for it to be funny, but when I read my first chapter to a group of fellow writers, I was delighted to find them laughing out loud at certain lines and or situations that I had written. I was also delighted when I my book got several reviews claiming that it was very humorous. I believe that the use of humor in fiction is a great tool, and not just for the sake of being entertaining, but also for the sake of driving a point home without sounding didactic or overly moralistic. I also believe that it's the sheer honesty of good humor that can really make an impression on people. If someone is genuinely funny, they are not afraid to say what they see. There are no pretensions. There are no lies.
In terms of character development, it is the funny quirks about characters that make them more real, more believable and more lovable. Vince believes that the recent preponderance of books about war is a government conspiracy. As a lawyer, Frank bartered with clients who could not make their whole legal fee. Angie is obsessed by the fact that she lives in the very same neighborhood as Bruce Springsteen and is determined to find his house. Donna is constantly plagued by some new self-diagnosed ailment that keeps her following one trend diet after another.
Humor can really enhance dialogue. Cosmo tells Silvia that she would have better luck making peace in the Middle East than within their family. Frank finishes his monologue of complaints with the phrase "I can't complain." And last but not least, humor greatly adds to the fun of story. Silvia listens to her boss, a full grown man, rant on about the importance of Gummy Bears. Donna is sexually harassed by the Three Little Pigs at Disney World. What fun!
Below is a wonderful article on the effective use of humor in fiction. Check out!
http://www.storyinliteraryfiction.com/essays-on-writing/how-humor-works-in-literary-fiction/
When I began writing my novel, I did not intend for it to be funny, but when I read my first chapter to a group of fellow writers, I was delighted to find them laughing out loud at certain lines and or situations that I had written. I was also delighted when I my book got several reviews claiming that it was very humorous. I believe that the use of humor in fiction is a great tool, and not just for the sake of being entertaining, but also for the sake of driving a point home without sounding didactic or overly moralistic. I also believe that it's the sheer honesty of good humor that can really make an impression on people. If someone is genuinely funny, they are not afraid to say what they see. There are no pretensions. There are no lies.
In terms of character development, it is the funny quirks about characters that make them more real, more believable and more lovable. Vince believes that the recent preponderance of books about war is a government conspiracy. As a lawyer, Frank bartered with clients who could not make their whole legal fee. Angie is obsessed by the fact that she lives in the very same neighborhood as Bruce Springsteen and is determined to find his house. Donna is constantly plagued by some new self-diagnosed ailment that keeps her following one trend diet after another.
Humor can really enhance dialogue. Cosmo tells Silvia that she would have better luck making peace in the Middle East than within their family. Frank finishes his monologue of complaints with the phrase "I can't complain." And last but not least, humor greatly adds to the fun of story. Silvia listens to her boss, a full grown man, rant on about the importance of Gummy Bears. Donna is sexually harassed by the Three Little Pigs at Disney World. What fun!
Below is a wonderful article on the effective use of humor in fiction. Check out!
http://www.storyinliteraryfiction.com/essays-on-writing/how-humor-works-in-literary-fiction/
Labels:
Flannery O'Connor,
Humor,
Humor in Fiction,
novels,
Writing novels
Monday, August 27, 2012
Shut Up and Write!
I named this post after a wonderful group that I found on http://www.meetup.com/. Joining this group has really been crucial in helping me to write my novel. Writing is such a solitary activity and it is often helpful and motivating to be a part of a group that encourages this pursuit. That is exactly what I found with Shut Up and Write! We would gather together at various cafes throughout San Francisco to write in silence. Writers tend to be a chatty bunch of procrastinators, so I thought that the name for this group was particularly clever.
Another group I joined to help on my writing and publishing journey was Bay Area Independent Publishing Association: http://www.baipa.net/ This particular group assists its members in developing knowledge and expertise in publishing, promoting and marketing their works.
In addition to joining these groups, I made one of the best decisions of my life over a year ago when I started my novel. I decided to stop waiting! To stop waiting for the inspiration to hit me, to stop waiting to feel perfect, to stop looking at other people who were living their dreams with envy and to start living my own dream. The Night-Time Novelist gave me the idea to set up a certain minimum amount of words to write per day, and I came up with 400. I found that my writing would usually get sloppy after 400 words. Of course some days I would be able to exceed my 400 word quota, and some days I would barely just make my quota.
In fulfilling a daily writing quota, while working full-time, I had to make use of a quality that is often viewed in a negative light, bringing to mind a highly regimented, over-achieving type of person. But there is a certain real beauty to this quality, and one that we should all strive to cultivate within ourselves.
Another group I joined to help on my writing and publishing journey was Bay Area Independent Publishing Association: http://www.baipa.net/ This particular group assists its members in developing knowledge and expertise in publishing, promoting and marketing their works.
In addition to joining these groups, I made one of the best decisions of my life over a year ago when I started my novel. I decided to stop waiting! To stop waiting for the inspiration to hit me, to stop waiting to feel perfect, to stop looking at other people who were living their dreams with envy and to start living my own dream. The Night-Time Novelist gave me the idea to set up a certain minimum amount of words to write per day, and I came up with 400. I found that my writing would usually get sloppy after 400 words. Of course some days I would be able to exceed my 400 word quota, and some days I would barely just make my quota.
In fulfilling a daily writing quota, while working full-time, I had to make use of a quality that is often viewed in a negative light, bringing to mind a highly regimented, over-achieving type of person. But there is a certain real beauty to this quality, and one that we should all strive to cultivate within ourselves.
Labels:
Family Stories,
Grace Mattioli,
Italian-American Fiction,
New Jersey Fiction,
novels,
writing
Monday, August 6, 2012
This Tale Grew Into Telling
The quote above from J.R.R. Tolkien resonated so much with me because I felt that it really spoke of my own process for writing my novel. My novel began with a description of a single character that I subsequently incorporated into a short story, which I shared with a writing group of which I belong. My writing group responded very positively to the piece and a couple of the members encouraged me to make it into something longer. The story had only two characters- a young woman and her father- and for the story to grow into a novel, it seemed logical to make it into a family saga.
I wanted the book to have a of which I felt passionate, something that could sustain me all the way through to the completion of the novel. Peace was the obvious choice as I am a passionate anti-war activist, and as it would be a theme that I could easily illustrate through a family story. I am from a large family that has always been heavily involved in fighting, and the disharmony that exist within my own family is something that I always wanted to change. I wanted to have a subplot in the story because I believe that having a subplot can greatly reinforce the theme of the book. I knew that to make this subplot work with the larger plot that it would have to be relevant to the stories theme which is peace. The protagonist of the novel, Silvia, is a very restless young woman who is unable to stay in one place longer than a few months. When she realizes that there is a connection between her own internal restlessness and her growing up in a chaotic, fight-filled household, her objective of creating peace in her family takes on a greater significance.
So I had a theme, a general plot and subplot, the main characters and a setting. I now needed to develop a structure. I got a copy of a book that I truly love called The Night-Time Novelist http://www.nighttimenovelist.com/ This book caters to all of us who are not in creative writing programs and who need to work day jobs, and is loaded with very helpful, concrete instruction on the craft of writing a novel that follows the three-act dramatic structure. I really like following this traditional structure and believe that novels that follow this sort of structure are much more accessible than non-traditionally structured novels. The outline I created for my book followed this three-act structure, although I was careful not to make my outline too tightly structured, and to allow myself to deviate from it, thereby giving the story room to grow organically.
I wanted the book to have a of which I felt passionate, something that could sustain me all the way through to the completion of the novel. Peace was the obvious choice as I am a passionate anti-war activist, and as it would be a theme that I could easily illustrate through a family story. I am from a large family that has always been heavily involved in fighting, and the disharmony that exist within my own family is something that I always wanted to change. I wanted to have a subplot in the story because I believe that having a subplot can greatly reinforce the theme of the book. I knew that to make this subplot work with the larger plot that it would have to be relevant to the stories theme which is peace. The protagonist of the novel, Silvia, is a very restless young woman who is unable to stay in one place longer than a few months. When she realizes that there is a connection between her own internal restlessness and her growing up in a chaotic, fight-filled household, her objective of creating peace in her family takes on a greater significance.
So I had a theme, a general plot and subplot, the main characters and a setting. I now needed to develop a structure. I got a copy of a book that I truly love called The Night-Time Novelist http://www.nighttimenovelist.com/ This book caters to all of us who are not in creative writing programs and who need to work day jobs, and is loaded with very helpful, concrete instruction on the craft of writing a novel that follows the three-act dramatic structure. I really like following this traditional structure and believe that novels that follow this sort of structure are much more accessible than non-traditionally structured novels. The outline I created for my book followed this three-act structure, although I was careful not to make my outline too tightly structured, and to allow myself to deviate from it, thereby giving the story room to grow organically.
Thursday, July 26, 2012
Welcome!
When I was ten years old, I wrote my first story. It was called The Gates of Utica and I was inspired to write it during a trip to upstate New York with my mom. I knew then that I wanted to be a writer; that I wanted to tell stories and make people laugh and cry and think; that I wanted to use words to paint pictures and make music.
I just completed my first novel which is entitled Olive Branches Don't Grow On Trees. It is the story of a twenty-three year old girl named Silvia Greco who decides to make peace in her constantly feuding family. It takes place in New Jersey and is set in the present against the back drop of the current wars. Throughout the course of the story, Silvia learns that peace is not something that is freely existing, but that rather, it is something that needs to be created, cultivated and nurtured. This book is filled with lovable characters, humor and insight. You can buy it as a Kindle e-book on Amazon for $1.99 (cheap) and $8.95 in paperback (still pretty darn cheap). It will also be available in print format on Amazon shortly. You can also check out the first chapter on my website: http://olivebranchesdontgrowontrees.com/
This is the first of many posts in which I will be sharing the various insights about the writing process that I have gained from completing this book. I also want to share recipes for many of the delectable dishes that are mentioned in my novel. Because the book is about an Italian-American family, food is a central part of it, and so there are several references to yummy Italian dishes. I am delighted to say that the recipes for these dishes will be shared in this blog.
Hope that you enjoy reading and will return often!
Labels:
Grace Mattioli,
Italian American fiction,
Italian recipes,
Italian-Americans,
novels,
writing,
writing fiction,
Writing novels
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